Author Steve Martin takes
a light-hearted look at the possibilities of art meeting science when Painter
Pablo Picasso encounters Albert Einstein in a Paris bar – the Lapin Agile
(Nimble Rabbit) in 1904, as both men are on the threshold of their greatest
works. Columbus Civic Theater’s current offering of this adult classic features
Galen Roth (Einstein). Roth is confident and comfortable in his
characterization and line delivery. I like the look he achieves with just the
right amount of gray in his hair. Ben
Turner (Picasso) is assured and cocky with excellent stage presence. The contrast between the two that the author
gives us – Einstein’s intellectualism vice Picasso’s emotional investment in art
-- is well-played by both Turner and Roth.
The conversations and interactions with and between other bar patrons is
stimulating and entertaining with Ryan Heitkamp (Barkeeper Freddy), Kenneth
Barnett (Gaston), Britt Kline (Freddy’s girlfriend and assistant barkeeper
Germaine), Stefan Langer (Sagot the art dealer), Stephen Hanna (Schmendiman the
inventor), Jordan Davis (Suzanne) and Julia Cannel (countess/female admirer).
Davis is sparkling and provocative as
Picasso’s girl of the moment – or should we say his current model.
Everybody seems to find their moment – event
Hanna who has less than five minutes on stage as well as Chance Landers who
enters with panache at the end to enunciate and demonstrate his own distinction
as a prominent 20th century influence. Landers character is listed
simply as “Visitor” but audiences will recognize him immediately. I won’t give away his identity here because
it’s supposed to be a surprise. But he is
thoroughly entertaining and audiences will recognize him immediately.
Richard Albert’s set design with red décor,
sparse furnishings and interesting paintings works well on the tiny Civic
stage.
Dayton Willison’s costumes are pleasant and
effective – especially the women’s attire as the intended sexual innuendo is successfully
achieved.
This is
a fun, well-paced show at 90 minutes.
The lesson it teaches is that all of us humans -- whether famous,
infamous or obscure—should never take ourselves too seriously.
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