Weathervane Playhouse’s One Man, Two Guvnors”
loosely based on “The Servant Of Two Masters”, a 1743 Comedia del arte-style
production, probably works better for British audiences than it does for
Americans. It is a British farce. The comedy is slapstick at times. Many of the jokes fail with a resounding thud because
American audiences in Central and Southeastern Ohio just don’t understand the
British references. In my opinion the
show is about 30 minutes too long. The pacing
of the opening night performance was a tad slow. The acting is uniformly good across the
entire cast. Ryan Metzger proves
versatile, funny and full of energy as the servant.
I enjoyed seeing our good friend Kerbie
Minor as Rachel Crabbe who pretends to be her deceased brother because her
lover Stanley Stubbers (Layne Roate) killed her twin brother. Minor is
confident and convincing.
Our dear Otterbein friend Kayla Walsh
acquits herself well as Dolly. The excellent supporting cast all has great
moments in their various roles. Nick McQullen’s portrayal of the slow,
plodding, heart-attack-prone, 80-year-old waiter Alfie is delightful. The
ensemble work is quite respectable.
The set didn’t work for me, though I
understand it is the same kind of set used for the professional Broadway
production in New York.
There were a couple glaringly obvious
missed sound cues during the opening night performance.
The lighting is decent.
The show includes two or three songs, which
are excellent and well rendered. I suspect the authors added the songs to
comply with the Comedia Dell Arte format they were trying to imitate. I
recall an Actors Theatre production at Schiller Park Columbus a couple years
ago that incorporated Comedia Dell Arte. Actors sang, juggled or played the
lute, recorders and other early music instruments as part of the pre-show and
intermission. They also played during
scene changes. The songs in “One Man, Two Guvnors” are part of the show itself
and only serve to make it seem longer.
“One Many Two Guvnors” enjoyed a three-year
run in London’s West End from 2011 to 2014. It had a very limited run on
Broadway from mid-April until the end of August 2012. The New York production
received award nominations for acting, scenic design, costumes and music score.
James Corden won a Tony and Tom Eden won an Outer Circle Critics award for
their acting in the Broadway production.
This show is probably okay for what it is. Whatever
it is, I don’t like it. Among other
things, it seems to be one of those scripts where the author is a little too
enamored with his own jokes, most of which the audience didn’t seem to get. On
my rating scale of from one to ten, I give the acting a seven, but overall, for
me the show is only a four – mostly because of my intense dislike for the
script.
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